Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance

Are you a fan of American dance history? Dive into the fascinating world of choreography with "Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance." This groundbreaking book takes you on a journey through the late nineteenth to the early twenty-first century, exploring the struggles and triumphs of U.S. dance-makers in the realm of intellectual property rights. Uncover the raced and gendered politics behind copyright protection for choreography and see how dancers have used intellectual property rights to challenge power dynamics. From legendary figures like Martha Graham to lesser-known artists like Mohammed Ismail, this book sheds light on a diverse range of voices in the dance world.

With a fresh perspective rooted in critical race and feminist theories, "Choreographing Copyright" delves into the complexities of the theatrical marketplace. Discover how white women's relationship to property rights, the appropriation of non-white labor, and the tension between dance's ephemerality and reproducibility have shaped the landscape of American dance history. Whether you're a seasoned dance enthusiast or a newcomer to the field, this book offers a compelling narrative that will challenge your perceptions and deepen your understanding of the intersection of race, gender, and creativity in dance.

Don't miss out on this thought-provoking exploration of intellectual property rights in American dance. Order your copy of "Choreographing Copyright" today and embark on a journey through the rich tapestry of dance history. Learn from the stories of trailblazing artists who have shaped the cultural landscape and discover the power of copyright in shaping our perceptions of race, gender, and creativity in the world of dance.

Order Now